Auguste Rodin Hands Sculpture

Auguste Rodin Hands Sculpture. Hands gesturing in anguish as in the burghers of calais, small studies of hands pulsing with life, giant enigmatic hands sufficient unto themselves. Hand of rodin with a female figure, 1917. National gallery of art, washington d.c.

Ici Auguste Rodin Untitled Study Of A Hand Mutualart

Thoughts left visible at the met breuer, new york. "the hand of god" was modeled by auguste rodin, and it attempts to compare the art of sculpture to the divine process of creation. The sculpture creates an intimate space between the hands. Rodin foundry mark rear center of base:

The "cathedral" was reproduced many times by rodin.

In stone and bronze and every time one element stayed the same, the sculpture is … Rodin presents the inchoate figures of adam and eve cradled in god's hand. Thoughts left visible at the met breuer, new york. The sculpture depicts a right hand, emerging from the earth, holding a lump of clay from which two struggling emergent figures are being modeled. This would become his favoured body part for sculpture, and he even used his own hand from time to time. The composition is an homage to his revered master michelangelo, the renaissance artist whose unfinished figures materializing out of rough stone symbolize the process of artistic creation.

He did not have success at the beginning of his career, because his sculpture contradicted the rules of classicism by incorporating intense emotion and eroticism.. Hands gesturing in anguish as in the burghers of calais, small studies of hands pulsing with life, giant enigmatic hands sufficient unto themselves. Rodin presents the inchoate figures of adam and eve cradled in god's hand. National gallery of art, washington d.c. Auguste rodin french not on view rodin was fascinated by the expressive possibilities of hands: The sculpture creates an intimate space between the hands.

This would become his favoured body part for sculpture, and he even used his own hand from time to time... National gallery of art, washington d.c. The "cathedral" was reproduced many times by rodin. The sculpture depicts a right hand, emerging from the earth, holding a lump of clay from which two struggling emergent figures are being modeled. The composition is an homage to his revered master michelangelo, the renaissance artist whose unfinished figures materializing out of rough stone symbolize the process of artistic creation. Thoughts left visible at the met breuer, new york. Signed front center of base: Bronze 18 1/2 x 11 3/4 x 8 inches (47 x 29.8 x 20.3 cm). The sculpture creates an intimate space between the hands.

The model for the sculpture in front of us here is believed to have been made in around 1886. The "cathedral" was reproduced many times by rodin... Hands gesturing in anguish as in the burghers of calais, small studies of hands pulsing with life, giant enigmatic hands sufficient unto themselves.

Hands gesturing in anguish as in the burghers of calais, small studies of hands pulsing with life, giant enigmatic hands sufficient unto themselves.. In stone and bronze and every time one element stayed the same, the sculpture is … Rodin foundry mark rear center of base: The sculpture depicts a right hand, emerging from the earth, holding a lump of clay from which two struggling emergent figures are being modeled. The sculpture creates an intimate space between the hands. Rodin presents the inchoate figures of adam and eve cradled in god's hand. National gallery of art, washington d.c. This would become his favoured body part for sculpture, and he even used his own hand from time to time. Thoughts left visible at the met breuer, new york. The composition is an homage to his revered master michelangelo, the renaissance artist whose unfinished figures materializing out of rough stone symbolize the process of artistic creation. He did not have success at the beginning of his career, because his sculpture contradicted the rules of classicism by incorporating intense emotion and eroticism... This would become his favoured body part for sculpture, and he even used his own hand from time to time.

The sculpture depicts a right hand, emerging from the earth, holding a lump of clay from which two struggling emergent figures are being modeled. This would become his favoured body part for sculpture, and he even used his own hand from time to time. The sculpture depicts a right hand, emerging from the earth, holding a lump of clay from which two struggling emergent figures are being modeled. He did not have success at the beginning of his career, because his sculpture contradicted the rules of classicism by incorporating intense emotion and eroticism. Signed front center of base: He did not have success at the beginning of his career, because his sculpture contradicted the rules of classicism by incorporating intense emotion and eroticism.

This would become his favoured body part for sculpture, and he even used his own hand from time to time. The sculpture creates an intimate space between the hands. The sculpture depicts a right hand, emerging from the earth, holding a lump of clay from which two struggling emergent figures are being modeled. In stone and bronze and every time one element stayed the same, the sculpture is … This would become his favoured body part for sculpture, and he even used his own hand from time to time. Thoughts left visible at the met breuer, new york. Auguste rodin french not on view rodin was fascinated by the expressive possibilities of hands: Hands gesturing in anguish as in the burghers of calais, small studies of hands pulsing with life, giant enigmatic hands sufficient unto themselves.

The "cathedral" was reproduced many times by rodin... In stone and bronze and every time one element stayed the same, the sculpture is … He did not have success at the beginning of his career, because his sculpture contradicted the rules of classicism by incorporating intense emotion and eroticism. National gallery of art, washington d.c. The sculpture depicts a right hand, emerging from the earth, holding a lump of clay from which two struggling emergent figures are being modeled. Bronze 18 1/2 x 11 3/4 x 8 inches (47 x 29.8 x 20.3 cm) This would become his favoured body part for sculpture, and he even used his own hand from time to time. Rodin foundry mark rear center of base: Hand of rodin with a female figure, 1917.

In stone and bronze and every time one element stayed the same, the sculpture is … This would become his favoured body part for sculpture, and he even used his own hand from time to time. Rodin presents the inchoate figures of adam and eve cradled in god's hand. The model for the sculpture in front of us here is believed to have been made in around 1886. "the hand of god" was modeled by auguste rodin, and it attempts to compare the art of sculpture to the divine process of creation. The sculpture creates an intimate space between the hands. The composition is an homage to his revered master michelangelo, the renaissance artist whose unfinished figures materializing out of rough stone symbolize the process of artistic creation. Signed front center of base:

Hand of rodin with a female figure, 1917. Hands gesturing in anguish as in the burghers of calais, small studies of hands pulsing with life, giant enigmatic hands sufficient unto themselves. Hand of rodin with a female figure, 1917. The "cathedral" was reproduced many times by rodin... Signed front center of base:

This would become his favoured body part for sculpture, and he even used his own hand from time to time. The "cathedral" was reproduced many times by rodin.

The sculpture creates an intimate space between the hands... "the hand of god" was modeled by auguste rodin, and it attempts to compare the art of sculpture to the divine process of creation. Rodin presents the inchoate figures of adam and eve cradled in god's hand. The sculpture creates an intimate space between the hands. Signed front center of base:.. "the cathedral" by auguste rodin "the cathedral" was modeled by auguste rodin and depicts two right hands whose fingers are about to touch.

"the cathedral" by auguste rodin "the cathedral" was modeled by auguste rodin and depicts two right hands whose fingers are about to touch.. The composition is an homage to his revered master michelangelo, the renaissance artist whose unfinished figures materializing out of rough stone symbolize the process of artistic creation. Thoughts left visible at the met breuer, new york. Signed front center of base: The sculpture depicts a right hand, emerging from the earth, holding a lump of clay from which two struggling emergent figures are being modeled. Rodin presents the inchoate figures of adam and eve cradled in god's hand. National gallery of art, washington d.c. Bronze 18 1/2 x 11 3/4 x 8 inches (47 x 29.8 x 20.3 cm) The sculpture creates an intimate space between the hands. Hand of rodin with a female figure, 1917. He did not have success at the beginning of his career, because his sculpture contradicted the rules of classicism by incorporating intense emotion and eroticism.. Bronze 18 1/2 x 11 3/4 x 8 inches (47 x 29.8 x 20.3 cm)

Bronze 18 1/2 x 11 3/4 x 8 inches (47 x 29.8 x 20.3 cm).. Auguste rodin french not on view rodin was fascinated by the expressive possibilities of hands: Thoughts left visible at the met breuer, new york. Bronze 18 1/2 x 11 3/4 x 8 inches (47 x 29.8 x 20.3 cm) Hand of rodin with a female figure, 1917. The sculpture creates an intimate space between the hands. The "cathedral" was reproduced many times by rodin. National gallery of art, washington d.c. Rodin foundry mark rear center of base: The model for the sculpture in front of us here is believed to have been made in around 1886. He did not have success at the beginning of his career, because his sculpture contradicted the rules of classicism by incorporating intense emotion and eroticism.. Thoughts left visible at the met breuer, new york.

The "cathedral" was reproduced many times by rodin. Signed front center of base: This would become his favoured body part for sculpture, and he even used his own hand from time to time. In stone and bronze and every time one element stayed the same, the sculpture is … The sculpture depicts a right hand, emerging from the earth, holding a lump of clay from which two struggling emergent figures are being modeled. Rodin foundry mark rear center of base: The model for the sculpture in front of us here is believed to have been made in around 1886. National gallery of art, washington d.c. Bronze 18 1/2 x 11 3/4 x 8 inches (47 x 29.8 x 20.3 cm) The "cathedral" was reproduced many times by rodin... The composition is an homage to his revered master michelangelo, the renaissance artist whose unfinished figures materializing out of rough stone symbolize the process of artistic creation.

Hand of rodin with a female figure, 1917. Thoughts left visible at the met breuer, new york. The "cathedral" was reproduced many times by rodin. He did not have success at the beginning of his career, because his sculpture contradicted the rules of classicism by incorporating intense emotion and eroticism.. The composition is an homage to his revered master michelangelo, the renaissance artist whose unfinished figures materializing out of rough stone symbolize the process of artistic creation.

Signed front center of base: The model for the sculpture in front of us here is believed to have been made in around 1886. Hand of rodin with a female figure, 1917.

The model for the sculpture in front of us here is believed to have been made in around 1886.. In stone and bronze and every time one element stayed the same, the sculpture is … This would become his favoured body part for sculpture, and he even used his own hand from time to time. Thoughts left visible at the met breuer, new york. Hand of rodin with a female figure, 1917. Bronze 18 1/2 x 11 3/4 x 8 inches (47 x 29.8 x 20.3 cm)

Rodin foundry mark rear center of base: The sculpture depicts a right hand, emerging from the earth, holding a lump of clay from which two struggling emergent figures are being modeled. Auguste rodin french not on view rodin was fascinated by the expressive possibilities of hands: Thoughts left visible at the met breuer, new york. The "cathedral" was reproduced many times by rodin. Hand of rodin with a female figure, 1917. The sculpture creates an intimate space between the hands. This would become his favoured body part for sculpture, and he even used his own hand from time to time. He did not have success at the beginning of his career, because his sculpture contradicted the rules of classicism by incorporating intense emotion and eroticism. Rodin presents the inchoate figures of adam and eve cradled in god's hand. In stone and bronze and every time one element stayed the same, the sculpture is …. Bronze 18 1/2 x 11 3/4 x 8 inches (47 x 29.8 x 20.3 cm)

Thoughts left visible at the met breuer, new york. He did not have success at the beginning of his career, because his sculpture contradicted the rules of classicism by incorporating intense emotion and eroticism. Rodin presents the inchoate figures of adam and eve cradled in god's hand. "the cathedral" by auguste rodin "the cathedral" was modeled by auguste rodin and depicts two right hands whose fingers are about to touch. This would become his favoured body part for sculpture, and he even used his own hand from time to time. National gallery of art, washington d.c. Hands gesturing in anguish as in the burghers of calais, small studies of hands pulsing with life, giant enigmatic hands sufficient unto themselves. Auguste rodin french not on view rodin was fascinated by the expressive possibilities of hands: Thoughts left visible at the met breuer, new york. The composition is an homage to his revered master michelangelo, the renaissance artist whose unfinished figures materializing out of rough stone symbolize the process of artistic creation. "the cathedral" by auguste rodin "the cathedral" was modeled by auguste rodin and depicts two right hands whose fingers are about to touch.

"the cathedral" by auguste rodin "the cathedral" was modeled by auguste rodin and depicts two right hands whose fingers are about to touch. Signed front center of base: This would become his favoured body part for sculpture, and he even used his own hand from time to time. The model for the sculpture in front of us here is believed to have been made in around 1886. "the hand of god" was modeled by auguste rodin, and it attempts to compare the art of sculpture to the divine process of creation. Rodin foundry mark rear center of base: Rodin presents the inchoate figures of adam and eve cradled in god's hand. Hand of rodin with a female figure, 1917.. National gallery of art, washington d.c.

Bronze 18 1/2 x 11 3/4 x 8 inches (47 x 29.8 x 20.3 cm).. "the cathedral" by auguste rodin "the cathedral" was modeled by auguste rodin and depicts two right hands whose fingers are about to touch. The sculpture depicts a right hand, emerging from the earth, holding a lump of clay from which two struggling emergent figures are being modeled. Rodin foundry mark rear center of base: Bronze 18 1/2 x 11 3/4 x 8 inches (47 x 29.8 x 20.3 cm) The "cathedral" was reproduced many times by rodin. The composition is an homage to his revered master michelangelo, the renaissance artist whose unfinished figures materializing out of rough stone symbolize the process of artistic creation. The model for the sculpture in front of us here is believed to have been made in around 1886. The sculpture creates an intimate space between the hands. He did not have success at the beginning of his career, because his sculpture contradicted the rules of classicism by incorporating intense emotion and eroticism. Signed front center of base:. The sculpture creates an intimate space between the hands.

National gallery of art, washington d.c. Hands gesturing in anguish as in the burghers of calais, small studies of hands pulsing with life, giant enigmatic hands sufficient unto themselves. Hands gesturing in anguish as in the burghers of calais, small studies of hands pulsing with life, giant enigmatic hands sufficient unto themselves.

The sculpture depicts a right hand, emerging from the earth, holding a lump of clay from which two struggling emergent figures are being modeled. Rodin foundry mark rear center of base: "the hand of god" was modeled by auguste rodin, and it attempts to compare the art of sculpture to the divine process of creation. This would become his favoured body part for sculpture, and he even used his own hand from time to time. The model for the sculpture in front of us here is believed to have been made in around 1886. He did not have success at the beginning of his career, because his sculpture contradicted the rules of classicism by incorporating intense emotion and eroticism. The sculpture depicts a right hand, emerging from the earth, holding a lump of clay from which two struggling emergent figures are being modeled. Hand of rodin with a female figure, 1917.. This would become his favoured body part for sculpture, and he even used his own hand from time to time.

Thoughts left visible at the met breuer, new york. The model for the sculpture in front of us here is believed to have been made in around 1886. The "cathedral" was reproduced many times by rodin. Hands gesturing in anguish as in the burghers of calais, small studies of hands pulsing with life, giant enigmatic hands sufficient unto themselves. Hand of rodin with a female figure, 1917. Thoughts left visible at the met breuer, new york. The sculpture depicts a right hand, emerging from the earth, holding a lump of clay from which two struggling emergent figures are being modeled. Signed front center of base: This would become his favoured body part for sculpture, and he even used his own hand from time to time. National gallery of art, washington d.c. The sculpture depicts a right hand, emerging from the earth, holding a lump of clay from which two struggling emergent figures are being modeled.

National gallery of art, washington d.c. Rodin foundry mark rear center of base: This would become his favoured body part for sculpture, and he even used his own hand from time to time. Rodin presents the inchoate figures of adam and eve cradled in god's hand. Signed front center of base: The composition is an homage to his revered master michelangelo, the renaissance artist whose unfinished figures materializing out of rough stone symbolize the process of artistic creation.

Hands gesturing in anguish as in the burghers of calais, small studies of hands pulsing with life, giant enigmatic hands sufficient unto themselves.. "the cathedral" by auguste rodin "the cathedral" was modeled by auguste rodin and depicts two right hands whose fingers are about to touch.

"the cathedral" by auguste rodin "the cathedral" was modeled by auguste rodin and depicts two right hands whose fingers are about to touch. Bronze 18 1/2 x 11 3/4 x 8 inches (47 x 29.8 x 20.3 cm) National gallery of art, washington d.c. The sculpture depicts a right hand, emerging from the earth, holding a lump of clay from which two struggling emergent figures are being modeled. Hands gesturing in anguish as in the burghers of calais, small studies of hands pulsing with life, giant enigmatic hands sufficient unto themselves. In stone and bronze and every time one element stayed the same, the sculpture is … Rodin presents the inchoate figures of adam and eve cradled in god's hand. Rodin foundry mark rear center of base: "the cathedral" by auguste rodin "the cathedral" was modeled by auguste rodin and depicts two right hands whose fingers are about to touch. "the hand of god" was modeled by auguste rodin, and it attempts to compare the art of sculpture to the divine process of creation. The sculpture creates an intimate space between the hands.. Signed front center of base:

The sculpture depicts a right hand, emerging from the earth, holding a lump of clay from which two struggling emergent figures are being modeled. Rodin foundry mark rear center of base: The composition is an homage to his revered master michelangelo, the renaissance artist whose unfinished figures materializing out of rough stone symbolize the process of artistic creation. The "cathedral" was reproduced many times by rodin. The model for the sculpture in front of us here is believed to have been made in around 1886. Hand of rodin with a female figure, 1917. Signed front center of base:.. Rodin presents the inchoate figures of adam and eve cradled in god's hand.

Signed front center of base:. Hand of rodin with a female figure, 1917. He did not have success at the beginning of his career, because his sculpture contradicted the rules of classicism by incorporating intense emotion and eroticism. "the hand of god" was modeled by auguste rodin, and it attempts to compare the art of sculpture to the divine process of creation. Rodin foundry mark rear center of base:

The composition is an homage to his revered master michelangelo, the renaissance artist whose unfinished figures materializing out of rough stone symbolize the process of artistic creation... Auguste rodin french not on view rodin was fascinated by the expressive possibilities of hands: In stone and bronze and every time one element stayed the same, the sculpture is … The model for the sculpture in front of us here is believed to have been made in around 1886. Signed front center of base: "the hand of god" was modeled by auguste rodin, and it attempts to compare the art of sculpture to the divine process of creation. This would become his favoured body part for sculpture, and he even used his own hand from time to time. The "cathedral" was reproduced many times by rodin. The sculpture creates an intimate space between the hands. "the hand of god" was modeled by auguste rodin, and it attempts to compare the art of sculpture to the divine process of creation.

Auguste rodin french not on view rodin was fascinated by the expressive possibilities of hands: National gallery of art, washington d.c. The sculpture depicts a right hand, emerging from the earth, holding a lump of clay from which two struggling emergent figures are being modeled. The model for the sculpture in front of us here is believed to have been made in around 1886. "the hand of god" was modeled by auguste rodin, and it attempts to compare the art of sculpture to the divine process of creation. Signed front center of base: The sculpture creates an intimate space between the hands. The composition is an homage to his revered master michelangelo, the renaissance artist whose unfinished figures materializing out of rough stone symbolize the process of artistic creation.. This would become his favoured body part for sculpture, and he even used his own hand from time to time.

The sculpture depicts a right hand, emerging from the earth, holding a lump of clay from which two struggling emergent figures are being modeled. In stone and bronze and every time one element stayed the same, the sculpture is … The composition is an homage to his revered master michelangelo, the renaissance artist whose unfinished figures materializing out of rough stone symbolize the process of artistic creation. Rodin foundry mark rear center of base:

Rodin presents the inchoate figures of adam and eve cradled in god's hand. The "cathedral" was reproduced many times by rodin. The composition is an homage to his revered master michelangelo, the renaissance artist whose unfinished figures materializing out of rough stone symbolize the process of artistic creation. Rodin foundry mark rear center of base: Hands gesturing in anguish as in the burghers of calais, small studies of hands pulsing with life, giant enigmatic hands sufficient unto themselves. Thoughts left visible at the met breuer, new york. In stone and bronze and every time one element stayed the same, the sculpture is … He did not have success at the beginning of his career, because his sculpture contradicted the rules of classicism by incorporating intense emotion and eroticism. The "cathedral" was reproduced many times by rodin.

Bronze 18 1/2 x 11 3/4 x 8 inches (47 x 29.8 x 20.3 cm). This would become his favoured body part for sculpture, and he even used his own hand from time to time. He did not have success at the beginning of his career, because his sculpture contradicted the rules of classicism by incorporating intense emotion and eroticism. The sculpture depicts a right hand, emerging from the earth, holding a lump of clay from which two struggling emergent figures are being modeled.. The model for the sculpture in front of us here is believed to have been made in around 1886.

The composition is an homage to his revered master michelangelo, the renaissance artist whose unfinished figures materializing out of rough stone symbolize the process of artistic creation... . National gallery of art, washington d.c.

Hands gesturing in anguish as in the burghers of calais, small studies of hands pulsing with life, giant enigmatic hands sufficient unto themselves. . Thoughts left visible at the met breuer, new york.

The "cathedral" was reproduced many times by rodin. The sculpture creates an intimate space between the hands. Signed front center of base: Rodin foundry mark rear center of base: Thoughts left visible at the met breuer, new york. The composition is an homage to his revered master michelangelo, the renaissance artist whose unfinished figures materializing out of rough stone symbolize the process of artistic creation. Hand of rodin with a female figure, 1917.. Hand of rodin with a female figure, 1917.

The model for the sculpture in front of us here is believed to have been made in around 1886.. "the hand of god" was modeled by auguste rodin, and it attempts to compare the art of sculpture to the divine process of creation. The sculpture depicts a right hand, emerging from the earth, holding a lump of clay from which two struggling emergent figures are being modeled.. "the cathedral" by auguste rodin "the cathedral" was modeled by auguste rodin and depicts two right hands whose fingers are about to touch.

"the hand of god" was modeled by auguste rodin, and it attempts to compare the art of sculpture to the divine process of creation.. The model for the sculpture in front of us here is believed to have been made in around 1886.

The "cathedral" was reproduced many times by rodin... Signed front center of base: The "cathedral" was reproduced many times by rodin.. The model for the sculpture in front of us here is believed to have been made in around 1886.

The sculpture depicts a right hand, emerging from the earth, holding a lump of clay from which two struggling emergent figures are being modeled. The sculpture depicts a right hand, emerging from the earth, holding a lump of clay from which two struggling emergent figures are being modeled. In stone and bronze and every time one element stayed the same, the sculpture is … Bronze 18 1/2 x 11 3/4 x 8 inches (47 x 29.8 x 20.3 cm) Hand of rodin with a female figure, 1917. Auguste rodin french not on view rodin was fascinated by the expressive possibilities of hands:. He did not have success at the beginning of his career, because his sculpture contradicted the rules of classicism by incorporating intense emotion and eroticism.

The sculpture creates an intimate space between the hands. In stone and bronze and every time one element stayed the same, the sculpture is … Rodin presents the inchoate figures of adam and eve cradled in god's hand.

The sculpture creates an intimate space between the hands. Hands gesturing in anguish as in the burghers of calais, small studies of hands pulsing with life, giant enigmatic hands sufficient unto themselves. Signed front center of base: Bronze 18 1/2 x 11 3/4 x 8 inches (47 x 29.8 x 20.3 cm)

Bronze 18 1/2 x 11 3/4 x 8 inches (47 x 29.8 x 20.3 cm) The sculpture creates an intimate space between the hands. Rodin presents the inchoate figures of adam and eve cradled in god's hand... This would become his favoured body part for sculpture, and he even used his own hand from time to time.

National gallery of art, washington d.c. The composition is an homage to his revered master michelangelo, the renaissance artist whose unfinished figures materializing out of rough stone symbolize the process of artistic creation. In stone and bronze and every time one element stayed the same, the sculpture is … "the cathedral" by auguste rodin "the cathedral" was modeled by auguste rodin and depicts two right hands whose fingers are about to touch. The sculpture depicts a right hand, emerging from the earth, holding a lump of clay from which two struggling emergent figures are being modeled. Bronze 18 1/2 x 11 3/4 x 8 inches (47 x 29.8 x 20.3 cm) The "cathedral" was reproduced many times by rodin. Rodin foundry mark rear center of base: This would become his favoured body part for sculpture, and he even used his own hand from time to time. National gallery of art, washington d.c. Hand of rodin with a female figure, 1917. Auguste rodin french not on view rodin was fascinated by the expressive possibilities of hands:

In stone and bronze and every time one element stayed the same, the sculpture is … . The sculpture depicts a right hand, emerging from the earth, holding a lump of clay from which two struggling emergent figures are being modeled.

In stone and bronze and every time one element stayed the same, the sculpture is …. Rodin foundry mark rear center of base: Hand of rodin with a female figure, 1917. "the cathedral" by auguste rodin "the cathedral" was modeled by auguste rodin and depicts two right hands whose fingers are about to touch.

The composition is an homage to his revered master michelangelo, the renaissance artist whose unfinished figures materializing out of rough stone symbolize the process of artistic creation.. National gallery of art, washington d.c. The model for the sculpture in front of us here is believed to have been made in around 1886. Rodin presents the inchoate figures of adam and eve cradled in god's hand. The sculpture creates an intimate space between the hands. Bronze 18 1/2 x 11 3/4 x 8 inches (47 x 29.8 x 20.3 cm) The composition is an homage to his revered master michelangelo, the renaissance artist whose unfinished figures materializing out of rough stone symbolize the process of artistic creation. "the cathedral" by auguste rodin "the cathedral" was modeled by auguste rodin and depicts two right hands whose fingers are about to touch. Hand of rodin with a female figure, 1917... Rodin foundry mark rear center of base: